!@#$!%

!@#$!%
Thursday, August 22, 2002
      ( 1:47 AM )  
How does an individual's taste in music develop? I'm repelled by the thought of an absolute aesthetic that one perceives more or less clearly depending on their intelligence and critical facilities (mostly because that would place me deep within "bad taste", har har). Why is it that oldies stations, for instance, or my mom's Stevie Wonder records (since I'm on the subject), WVKO Colombus (which I seem to remember as an FM station that played contemporary "black" music, but now seems to be an AM station that plays gospel), certain Spinners songs that I'll forever associate with half-remembered wedding receptions, and PBS children's programming all form part of the set of sounds that appeal to me, personally? A huge part of it, it seems obvious, has to do with what I was exposed to in childhood; formative years for personal taste as much as anything else (although, of course, as Jess pointed out, this sort of development "NEVER ENDS"). But why don't (didn't) I feel the same way about my mom's Charlie Daniels or Moody Blues records? Why not the theme from the Smurfs? Is there any way to trace my way back to those very first incidences of preference? Well, no, not really. My memory is hardly Proustian; in fact, it sucks. Past a certain point it just boils down again to nature and nurture, genetics and the length of time I was breast-fed, and those link to music tenuously, if at all.


How can I know when a preference is coming from something besides the lifetime of personal history I have with music? Does this ever happen anymore? Can I still hear a song with a sound which is different from anything I've ever encountered, and like it for reasons other than the way the cadences of it's structure relate to some ultra-vague pop archetype (although it would be exciting to think that that ill-defined archetype comes from somewhere other than that history), or the way it relates to another genre or artist or song that I know about? It feels like even when I don't consciously make those kinds of connections I'm continuing to make them on some level. I'll love a drifty little part of some new R&B tune and only realize much later that I liked it because some part of it kind've sounded like the chorus of "I Got Five On It" or something. Will I know when the non-musical aspects of my Self initially cross over and affect my taste?


NOTE: After writing this entry I realized, while reading Nathalie's site, that I unconsciously ripped off this entire idea from her August 19th entry, which stated it much more succinctly anyway. Damn! Sorry Nathalie!


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